Project_05: Emotion in Motion
Emotion in Motion is a collection of artworks created by members of the Pasadena Senior Center, inspired by the Abstract Expressionist movement. From Pollock’s dynamic gestures to Rothko’s contemplative color fields, these pieces transform canvas into story—emotion into motion.
Abstract Expressionism, a bold and often polarizing movement that emerged in the United States in the 1940s and 1950s, redefined the boundaries of art. Artists challenged conventional forms, embracing spontaneity, scale, and raw emotion.
Throughout June 2025, Project Ripples partnered with the Pasadena Senior Center to launch a new program designed for older adults. Participants explored the history and techniques of Abstract Expressionism and created original artworks, culminating in the Emotion in Motion gallery show.
07.02.25

Developing the Program
EMOTION IN MOTION
Our team developed the intergenerational program model after conducting a three-month research study exploring how art history could positively impact the health and well-being of older adults.
We investigated a wide range of senior programs—from experimental dance studios to traditional senior centers—with one central goal: to design a program where older adults could not only learn about movements in art history, but also engage, inquire, and create.
Research shows that participation in the arts can improve cognitive function, boost self-esteem, and reduce behavioral symptoms associated with dementia, including stress and agitation. Beyond the health benefits, engaging in art and conversations fosters community, enables participants to reflect on memories, and—most importantly—restores a sense of voice and expression in later life.
Partnering with the Pasadena Senior Center, we launched Emotion in Motion—a four-week program rooted in the Abstract Expressionist movement. Through collaborative discussions and hands-on art-making, older adults reflected on their personal journeys, turning emotion into movement, memory into mark-making.
“This matters”
— Emmett McGuire